The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by the rise of the playlist. Streaming platforms such as Spotify...

Dindymene: A Dream

And on the seventh day, we found HER temple, feasted on HER sight. Enthroned. Flanked by mammoths on both sides. There, there! Berry-ringed fingers on berry-strung vines:...

The Secret History Characters as Oxford Tropes

Donna Tartt's novel The Secret History is set in an exclusive college in Vermont but can be read as a satire of Oxford and its students. It invites us to question how little differentiates us from the elitist American universities.

High pressure, few spots: What Careers Service data says about Oxford’s internship culture

"Planning ahead is sensible, important – even exciting. But it shouldn’t come at the expense of everything else."

My music doesn’t break tradition. It is traditional

"It is precisely because I love Oxford’s traditions that I’m inviting my culture to be part of it."

MLK Day: Anti-Blackness isn’t just a Western problem

"If we truly believe in equality, it’s time to hold up that same mirror to ourselves and confront what we see. Change begins when we stop making excuses."

Mitosis

A letterA single-cell, Stuttering, Reoccurring, Scrap on /The page /Fragmented/Born from pain …A zygote …Dividing… Turning inwards;Malformormed; Abortorted;Misbirthirthed-I would choose- An embryo that...

BookTok: The Last Page of the Publishing Industry?

The #booktok stands that have become fixtures of bookshops across the country inspire intense feelings in me. It’s a mix of guilty curiosity, superiority,...

Gladiator II: A lack-lustre return to Rome

With Gladiator II, Ridley Scott returns to the streets of imperial Rome not in triumph, but to decidedly muted applause.

Review: The Outrun

The Outrun Review: Choosing recovery in a wild place

Review: Endgame – ‘Nothing is funnier than unhappiness’

The play invites us to laugh at our powerlessness in the face of an apocalyptic fate.

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down. 

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